Short, Sharp Interview: Evangeline Jennings

cars and girlsPDB: Can you pitch CARS AND GIRLS in 25 words or less?

Dangerous curves ahead.

PDB: Which music, books, films or television shows have floated your boat recently?

I’m a complete music nerd and can bore to an Olympic standard once you get me started, so I’ll try to keep this simple. This month, the best songs in the world ever are “Tallulah” by Allo Darlin’, “Be Good” by Waxahatchee, “Off To The Races” by Lana Del Rey, and “Uptown Top Ranking” by Althea and Donna. I think Katie from Waxahatchee has heard “Tallulah” more than once. Althea and Donna make me dance and smile.

Shamefully, I’ve been so busy editing and proof-reading that I haven’t read much recently, but I have been stockpiling. Among a bunch of books from friends, I have two newish unread Andrew Vachss – and one more to come – plus a couple of Daniel Woodrell’s put to one side for my summer trip back to Europe. I’m excited about them. I adore Vachss, and Woodrell has been highly recommended.

If I watched less TV, I might have more time for reading. Many of my favourites are supposedly for children. Phineas and Ferb rock my world. Adventure Time with Finn and Jake is often a delight. And the Regular Show is a law unto itself. Otherwise, while I wait for the second season of The Bridge, I’ve been indulging myself in the wee dark hours with camp nonsense like Alias and Revenge. New shows I’m enjoying are Orphan Black and The Fall. While Psych, like Althea and Donna, makes me dance and smile.

The last Good Movie I truly enjoyed was Django Unchained, but two nights ago I did laugh myself stupid – never a long journey – to 21 And Over.

PDB: Is it possible for a writer to be an objective reader?

I don’t think it’s possible for anyone to be an objective reader, but it is possible for me as a writer-slash-editor to approach a book as a reader. In fact, I think it’s the only way I read. When I move into Editor Mode, I tend to “perform” the story rather than read it. Much to the amusement of my family and neighbours. Other writers’ mileage will almost certainly vary.

PDB: Do you have any interest in writing for films, theatre or television?

Yes. But not yet.

PDB: How much research goes into your writing?

Just the right amount. Research is more than fact-checking, it’s a source of inspiration. I was born curious.

PDB: How useful or important are social media for you?

They are very important but I’m not sure how beneficial. I’m one of life’s natural thorns. Luckily I’ve surrounded myself with roses.

PDB: What’s on the cards for the rest of 2013?

I have two roles. I’m an author and also the founding editor of this creature called Pankhearst – an independent writers collective. Sometimes the streams cross. Cars and Girls, for example, is the first Pankhearst book and my own story Crown Victoria features. During the rest of this year, Pankhearst will publish several more books. The next will be a collection of YA short stories called Heathers – it’s going to be stunningly good – and we’re also currently accepting submissions for More Songs About Cars and Girls. Which seems like a better name than C&G2.

As a standalone author, I have one finished novel that I need to start querying. It’s called Puta and it makes everything in Cars and Girls read like My Little Pony. Then I have two YA novels to finish off. Starshy is a fun fantasy thing – my inner Percy Jackson rebelling against my edgy Tres Navarre – and Last Girl is, truly, YA Noir.

PDB: Where can people find out more about your work?

The best place to start is the Pankhearst website.

Or, to discover why I suck at social networking, there’s this.

Published by PaulDBrazill

A writer and teacher, from England and living in Poland. 'The Poundland Poe.' Books include The Last Laugh, Guns Of Brixton, and Gumshoe Blues. This/ That/ & The Other.

%d bloggers like this: