And Graham says:
‘Raymond Chandler advised struggling writers, “When in doubt…have a man come through a door with a gun in his hand” and the story would work itself out. I’d say the Brazill corollary is, ‘When in doubt have a man head to a pub.’ While many of his characters try to reform their ways both bibulous and violent, these hard-bitten by life folk generally find they picked the wrong week to give up their vices.
Or is the WC Fields rule? Never give a sucker an even break — and even the most well-intentioned characters here find themselves driven to desperate acts of violence. Most of them don’t have good intentions though: they’ve got axes to grind and long-nursed resentments to avenge and it’s no surprised to find everything going pear-shaped like life had been formed in a pear-shaped mold.
And it’s all hilarious, brutally so. These are not genteel stories. They’re laugh out loud, bitter wincing fun. If you have a black heart and even blacker humour. Some quotes because Mr B is eminently quotable with a boatload of absurdities, musical swipes and clever allusions:
Yeah, and I used to like Benny Liens. He used to be my best mate. My mucker. My partner in crime. Until he screwed my missus, that is. I sharp went off him then, I can tell you. Which is why I killed the fucker.
They used to say he had more tarts than Mr Kipling. He looked as rough as toast now, though. Hair like straw, face like a blackcurrant crumble, wearing a shabby grey shell–suit. The booze and the divorces had certainly taken their toll on George.
“I met him on a Monday and although my heart didn’t stand still, per say, it certainly skipped a beat or two, I can tell you,” said Martyna.
In the beginning was the sound. The light came later. The sound was a horrifying wail that skewered its way deep into my unconscious brain, until I awoke, drowning in sweat, my heart smashing through my ribcage, my head about to burst.
Truth be told, my most vivid and powerful memories of childhood were always in black and white. The monochrome serials that were shown at the Saturday morning Kidz Klub at the local Odeon cinema, and the Hollywood films on afternoon television, when I was throwing a sickie from school. It all seemed so much more vibrant than anything that real life could come up with. As you would expect of someone who grew up living more fully in his imagination than in the day–to–day, adulthood proved to be a series of disappointments and non–events.
“Hope is the real opium of the masses, Peter.”
I could go on and quote the whole damn book, but just buy it for yourself already. Five stars, shining accolades, Ladybird cover, the Kingsley Amis hungover prose award etc etc. Do yourself a favour.’