Short, Sharp Interview: Jenna Payne

films, horror, Jenna Payne, pulp fiction, short sharp interviews, Television

jenna1PDB: Can you pitch ZOMPIRE VIXENS FROM PLUTO in 25 words or less?

Foxy zombie/vampire hybrids attack Brooklyn in retaliation for the declassification of Pluto as a planet, rendering the Zompires ineligible for intergalactic aid.

PDB: Can you tell us about the staged readings that you have up at You Tube?

The goal of this webseries has always been perfectly clear to me – to make something awesome. Haha. But I still get an awful lot of questions as to what the series is actually about. We were fortunate enough to be accepted into Women In Horror month last February, so I put together a staged reading in four days with a combination of cast and and uncast (but killer) talent who were available. We had about an hour to rehearse before we performed the whole thing in front of a small audience. It was a ton of fun and while it doesn’t have the visual quality that I’m aiming for with the full series, I definitely think it does the job of illuminating the madcap adventures that the series offers.

PDB: Who else is involved in ZOMPIRE VIXENS FROM PLUTO?

I wrote this series a couple of years ago and have yet to fully fund the project. That said, though, there have been some amazing players who I hope will be available for the Vixens when all 12 episodes get greenlit. Sophia Remolde, Nylda Mark, and Emily Bennett have been cast as the Zompire trio. Marion Elaine and Tyler Cook are our two human heroes. Richard Brundage is featured multi-tasking in the staged reading and will be our Dr. Von Tron, the broken-hearted scientist responsible for declassifying Pluto. Drea Lorraine, aka 2012’s Miss Coney Island, really wowed me with her Empress of Pluto for the reading, and I hope she can come in for the actual show.

Michele Mulkey has been our key special effects guru from the beginning. She’s sent us some really amazing prosthetics for shoots, and I can’t wait to get her on set. Che Broadnax is kind of a mega sci fi geek and our cinematographer. Bob DeNatale is my frequent editor and finessed the staged reading videos. Ayal Kushner and Anna Duckworth have helped me produced shoots and events for the show. Lenny Gonzalez has done some composing for us. Phaedra Strecher has been our amazing graphic designer for Zompire flyers, t-shirts, etc. Many other people have made themselves available for the Zompire cause, and for that, I salute all of you.

PDB: Is there a connection between ZOMPIRE VIXENS FROM PLUTO and DARKTOWN?

Marion Elaine and Tyler Cook, our human saviors in ZOMPIRE VIXENS, were the two estranged lovers in DARKTOWN. Bob DeNatale edited DARKTOWN and will be editing the Vixens. I, obviously, am behind both projects.

Mostly I like how different the two pieces are. DARKTOWN is very, well, dark (as in grim) and rather simple. It was shot without a script and with extremely minimal props. The blacked out grid of Manhattan was the real star in the aftermath of Hurricane Sandy. The actors showed up in their own clothes, and we made up the story as we went along.

In juxtaposition, ZOMPIRE VIXENS FROM PLUTO! also involves death, but it’s a zany horror comedy with an alien species travelling to Earth that only knows human history up until film noir. The story is actually pretty complicated. Also, there are a lot more fake blood, costuming, props, and gore happening.

The Zompires have been denied their lifeline of brainstems by the Intergalactic Consortium, spearheaded by Dr. Von Tron who loathes the Zompires. In order to keep their race alive, three Vixen lieutenants are sent to Earth to convince the good doctor to reinstate their food supply. Zompires, though, being a mix of zombie (forgetful) and vampire (sexy) get sidetracked pretty easily and lay waste to several of Brooklyn’s denizens.

Olivia, a gifted young astronomer and student of Dr. Von Tron’s, and her neighbor Chase take it upon themselves to save Brooklyn from the Zompires. The six episodes from the staged reading cover a lot of ground, but I’m really proud of some of the twists happening in the last half of the series. Fingers crossed we’ll get to unleash them in some way soon!jenna 2

PDB: You’ve recently moved to LA, why?

I spent the past ten years of my life in New York, and I came up in film there for three years. I’ve freelanced in production in Los Angeles a few times, but this time around I ended up staying. I got a bump in my dayrate and had been struggling in New York for far too long to ignore that kind of money. Basically, I love and appreciate the support and network that I’ve had in New York for so long, but Hollywood is the seat of our industry. I’ve been meeting many more people who have made it farther than I have and who want to hear about my projects. I was not finding those opportunities in NYC, but I guess the results remain to be seen. In the meantime, I bought my first car ever (her name is Gerty) and spend an astounding amount of time talking about the weather in a place that hardly has any discrepancy. Haha.

PDB: What’s on the cards for the rest of 2013?

I’m working on building packaging for ZOMPIRE VIXENS and for my feature-length slasher. I’m hoping to meet a lot more film folks in LA, and I’ll be hitting up more than a few midnight horror flicks at Cinefamily this month… Tis my most favorite of seasons!

PDB: Where can people find out more about Jenna Payne, ZOMPIRE VIXENS FROM PLUTO! and DARKTOWN?

Well, you can check out any of the following links and please send what you like to those you love the most!

www.jennapayne.com

www.zompirevixensfrompluto.com

Jenna Payne‘s YouTube http://www.youtube.com/user/dirjennapayne

Twitter https://twitter.com/#%21/jenna_payne

ZVP! YouTube http://www.youtube.com/user/ZompireVixens

ZVP! FB https://www.facebook.com/ZompiresTheSeries

DARKTOWN –  http://www.youtube.com/watch?v=9B8q1ij2vdk (Preview)

PDB: Anything else you think we should know?

I’m definitely looking for collaborators, so if you’re interested in my work, I would love to hear about yours, too!

Thanks Jenna!

Top Telly: Bullman The Bulldog

BRIT GRIT, Bullman, Music, Pulp Metal Magazine, Television, Top Telly, True Brit Grit, True Brit Grit On The Box

bullmanOne of British television’s great creations, George Bulman first appeared on the small screen in 1976, in Granada Television’s hard edged crime series, The XYY Man, based on the books by Kenneth Royce. The XYY Man in question was a cat burglar called Spider Scott who was trying to go straight but regularly ended up getting caught in the MI5’s grubby web.

Doggedly on Scott’s trail was the real star of the show, Detective Sergeant George Bulman, brilliantly played by Don Henderson. Bulman was gruff and eccentric: He always wore gloves. usually had a menthol inhaler stuffed up his nose, carried his things in a plastic supermarket carrier bag and endlessly quoted Shakespeare.

It was a good series, too, but Bulman owned the show and when it ended, after two series, it was logical that Bulman and his sidekick Willis (no, not THAT Willis ) were given their own spin off show, Strangers.

Strangers –with a brilliant jazzy theme tune – started off as a pretty good, straight ahead, cop show spiced up by Bulman’s oddball character. But as the series progressed it became quirkier and quirkier, finding its form in season three when the brilliant Mark ‘Taggart’ McManus became Bulman’s boss.

The last episode had Bulman going undercover in a jazz band and featured music by Tangerine Dream and Pigbag. And the title quoted Jean Cocteau ,‘With these gloves you can pass through mirrors’– and saw Bulman trying to ditch his OCD by taking off his gloves and buggering off with McManus’ wife.

And when Strangers ended, after five series, there was still no stopping Bulman, who returned to star in his own show, Bulman. He was now an unofficial private detective working out of an antique clock repair shop with a spiky Scottish sidekick, occasionally working for a dodgy government agency or Mark MacManus. Bulman’s eccentricity was even more to the forefront in this series and the stories were comfortably off the wall.

Here’s Bulman’s first appearance in The XYY Man.

http://www.youtube.com/watch?v=UjKdl8wli7E&feature=related

This post first appeared at Pulp Metal Magazine.

True Brit Grit At The Cinema And On TV

BRIT GRIT, Charlie Williams, Cracker, Luca Veste, maxim jakubowski, Paul D Brazill, Ray Banks, Sheila Quigley, Television, Tony Black, True Brit Grit, True Brit Grit On The Box

True Brit Grit

A bit back, I wrote an article for The Sabotage Times about Brit Grit television. I took a gander at three shows in particular, Public Eye, Gangsters and Cracker. All were in-your-face, hard-hitting crime dramas from the ‘60s, ‘70s and ‘80s respectively.

And now, it looks like a bunch of the writers that have contributed to the True Brit Grit charity anthology that I co-edited (with Luca Veste) are going to be putting the grit back on the box.

Tony Black, for example, is due to have his intense crime novel Long Time Dead made into a film, directed by Richard ‘Jobbo The Yobbo’ Jobson. And Black’s debut, Paying For It, is due to have the television treatment.

And there’s more.

Howard Linskey’s critically acclaimed The Drop is being adapted for the small screen by JJ ‘Layer Cake’ Connolly, no less!

Sheila Quigley’s Seahills Estate debut, Run For Home, has been scheduled to be made into a telly series, too.

Adrian Magson’s first Harry Tate novel, Red Station, is due to blast out on to big screen as the start of a franchise to equal that of Jason Bourne!

So, who’s next?

Certainly, Matt Hilton’s Joe Hunter thrillers would make great high-octane action cinema and wouldn’t someone like to be able to get a handle on Charlie Williams’ blackly-comic Mangel books or Ray Banks’ poignant Cal Innes Quartet?

So, if you want to get a taste of these stars in the making, you could do worse than pick up True Brit Grit- A Charity Anthology. Here’s the blurb:

“The BRIT GRIT mob is coming to kick down your door with hobnailed boots. Kitchen-sink noir; petty-thief-louts; lives of quiet desperation; sharp, blood-stained slices of life; booze-sodden brawls from the bottom of the barrel and comedy that’s as black as it’s bitter—this is BRIT GRIT!”

45 British writers, 45 short stories. All coming together to produce an anthology, benefiting two charities…
Children 1st – http://www.children1st.org.uk/
and
Francesca Bimpson Foundation – http://www.francescabimpsonfoundation.org

The line up…

Introduction by Maxim Jakubowski

1. Two Fingers of Noir by Alan Griffiths 2. Eat Shit by Tony Black 3. Baby Face And Irn Bru by Allan Guthrie 4. Pretty Hot T’Ing by Adrian Magson 5. Black Betty by Sheila Quigley 6. Payback: With Interest by Matt Hilton 7. Looking for Jamie by Iain Rowan 8. Stones in Me Pocket by Nigel Bird 9. The Catch and The Fall by Luke Block 10. A Long Time Coming by Paul Grzegorzek 11. Loose Ends by Gary Dobbs 12. Graduation Day by Malcolm Holt 13. Cry Baby by Victoria Watson 14. The Savage World of Men by Richard Godwin 15. Hard Boiled Poem (a mystery) by Alan Savage 16. A Dirty Job by Sue Harding 17. Stay Free by Nick Quantrill 18. The Best Days of My Life by Steven Porter 19. Hanging Stanley by Jason Michel 20. The Wrong Place to Die by Nick Triplow 21. Coffin Boy by Nick Mott 22. Meat Is Murder by Colin Graham 23. Adult Education by Graham Smith 24. A Public Service by Col Bury 25. Hero by Pete Sortwell 26. Snapshots by Paul D Brazill 27. Smoked by Luca Veste 28. Geraldine by Andy Rivers 29. A Minimum of Reason by Nick Boldock 30. Dope on a Rope by Darren Sant 31. A Speck of Dust by David Barber 32. Hard Times by Ian Ayris 33. Never Ending by McDroll 34. Imagining by Ben Cheetham 35. Escalator by Jim Hilton 36. Faces by Frank Duffy 37. A Day In The Death Of Stafford Plank by Stuart Ayris 38. The Plebitarian by Danny Hogan 39. King Edward by Gerard Brennan 40. This Is Glasgow by Steven Miscandlon 41. Brit Grit by Charlie Wade 42. Five Bags Of Billy by Charlie Williams 43. It Could Be You by Julie Morrigan 44. No Shortcuts by Howard Linskey 45. The Great Pretender by Ray Banks

Get stuck in there!

Top Telly: Southland

Allison Anders, BRIT GRIT, Crime Fiction, Southlands, Television, Top Telly


There’s been a lot of talk about Brit Grit recently- usually from me – and, more specifically, Brit Grit television – edgy, realistic crime drama such as Cracker, Gangsters and Luther.

The US has also been deservedly praised for producing great crime shows like True Detective and Breaking Bad, of course.


But one show that I think is due more praise and attention is surelyTNT’s Southland – a cinema verite look at the rough and tumble lives of a group of LAPD police officers that was created by Emmy Award winning Anne Biderman.

I’ll admit that I only discovered Southland quite recently. I’m a fan of the film director Allison Anders, so I sought out a couple of the shows that she directed.

And it was great, raw, fast paced – and yes, gritty -stuff. Despite a slightly cheesy voice over at the start, as in other sharp American crime shows – like Justified – there was more of human life packed in one breathless 40 minute episode than most series.

But like most great television, you need to see more than the occasional episode. You need to get into it. To let it ferment.
And of late I was lucky enough to see all of Southland Season Four. And beaut stuff it was too.

Heart in the mouth tension. Realistic characters and situations. Sharp dialogue. Great performances – particularly from Michael Cudlitz, Regina King and C. Thomas Howell. Lucy Liu even guested and showed herself to be a cracking character actor.

So, if you want a short, sharp shock of US Grit, check out Southland. You won’t be disappointed.

Is Charlie Higson The Godfather Of Brit Grit?

BRIT GRIT, Charlie Higson, films, Kim Newman, Television, True Brit Grit


At some point in the ‘90s, I managed to end up on the guest list for a press screening of Robert Benton’s crime drama, Twilight. The screening was in Mr Young’s Preview Theatre in the heart of London’s Soho.

It was a dangerous thing to invite me to; there was free food and drink. But there you go!

Various press types were there, including an American with a grating voice and the great Kim Newman – who was being as witty and funny and clever as you’d want.

Just before the film was due to start, a figure wearing what looked like a shabby raincoat – but was probably some swanky designer clobber- and carrying a rattling, clinking plastic bag turned up.

It was Charlie Higson, who at the time was film critic for Red Magazine. Higson sat behind me during the film and – it seemed to my overly booze- sensitive ears – worked his way through a fair number of the bottles of beer that were in the carrier bag. Of course, it could have been Evian but that’s not very gritty, is it?

Higson, at that time, was best known as one of the stars and writers of The Fast Show – a brilliantly funny and bitter-sweet comedy sketch show that has been much imitated and never bettered. Now, he is probably best known as the author of the hugely successful Young James Bond YA books.

But he is also the writer of a bunch of dark and funny urban crime/ horror novels that led him to be described as “The missing link between Dick Emery and Bret Easton Ellis”.

King Of The Ants, his 1992 début novel, is the story of Sean, a pretty useless builder’s labourer, who covets the rich peoples’ homes that he works on and is offered a dodgy surveillance job which then turns into a contract kill. And worse.

King Of the Ants was praised by the great Patricia Highsmith, no less, and the praise is deserved. It is a classic piece of Brit Grit noir, full of bitterness, resentment and underachievement. And humour.

This was followed by more cracking books, including The Full Whack, the cruel and hilarious story of a former football hooligan who is trying to sort his life out when he encounters a couple of blasts from the past that are positively seismic.


Charlie Higson
will probably be up for an OBE or something soon but don’t worry ‘bout the rocks that he’s got – Charlie Higson has TRUE BRIT GRIT.

 
 
 

A History Of True Brit Grit On The Box at Sabotage Times

BRIT GRIT, Luca Veste, maxim jakubowski, Paul D Brazill, Sabotage Times, Television, True Brit Grit

One of my favourite on-line reads is SABOTAGE TIMES, which is choc full of great articles about people, TV, film, sport,music, travel and life. And more.


And I’m very pleased that they have published a piece from me about crime drama on British TV.


So, pop over to SABOTAGE  TIMES to take a gander at A History Of True Brit Grit On The Box, and have a read of the rest of the website, too. It’s a cracker!

A Film For Friday: Somebody To Love by Alexandre Rockwell

A Film For Friday, Alex Rockwell, Eddie Bunker, Elvis, films, Harvey Keitel, Humour, Life, Quentin Tarentino, Sam Fuller, Steve Busecemi, Television, Travel, Writing

Palookaville (1995)

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Palookaville
Taking its title from a quoted-to-death  line in ‘On The Water Front,’ Palookaville is  the  story of Jerry, Russ  and Syd – three friends who feel  so trapped in their  no hoper jobs and one horse town that they decide  to escape the rut by embarking on a life of crime, at one point using the1950  b-movie ‘Armored Car Robbery’ as their instruction manual.
Palookaville was directed by  Alan Taylor who has since  directed some impressive TV shows such as Boardwalk Empire, The Sopranos and Deadwood. This genuinely charming and touching film  was written by David Epstein who based the splendid screenplay  on a story by Italo Calvino. Reminiscent in tone to early Bill Forsyth, especially  That Sinking Feeling, or a downbeat Ealing Comedy, Palookaville  is more than a little close to my heart. As far as I know, Epstein has written nothing since, which a shame.
William Forsyth, Vincent Gallo and even Frances McDormand are part of the wonderful cast, along with a cracking bunch of character actors who play a collection of quirky but painfully true characters.

SWEENEY! BY HALCYON DAYS

Art, BRIT GRIT, Drop, films, Halcyon Days, Music, Paul D Brazill, Peter Ord, Post Punk, Richard Sanderson, Ronnie Burke, Sweeney, Teeside, Television
I was in the band Halcyon Days  from 1981 to 1982. The band was Richard Sanderson (guitar/vocal), me (bass),Peter Ord (guitar) and Ronnie Burke (drums).
 

As Richard says:
‘One of the odder unfinished projects was “Sweeney!” from which these three tracks came. Influenced by the 70’s cop show of the time, we conspired to play some new incidental music for the series.“Gunman” features me on piano, and “Conflict in Underground Car Park” features the only recorded example of Braz playing the (inside of) a piano.’

How can you resist that?

 

Interview: Richard Sanderson -Banned From The Big Breakfast!

Drop, Futurama, Halcyon Days, Hawkwind, Interviews, Joy Division, Julian Cope, Leeds, Music, Peter Ord, Post Punk, Richard Sanderson, Robert Mitchum, Teeside, Television, The Fall, The Krays, Ticklish, Toys

Q1 : Tell me about your first and your most recent bands?

 
My first band was called “Solaris”, it was me, my cousin Mark Sanderson and his friend Mark Spybey – we were aged about 13. 
 
Unlike the rather swish rock groups 12 and 13 year olds play in now, no doubt schooled by their rock-literate parents, we were musically inept and had no real instruments. 
 
We just used my Dad’s piano, a tatty acoustic guitar and an ancient Boy’s Brigade drum plus radios, tape recorders and a stylophone. We were basically playing free improv – albeit influenced by Krautrock and Hawkwind
 
The three of us met up again last year and it was rather lovely, and we’re hoping to actually record something this summer! I’ve still got the first cassette, and, astonishingly, a label has expressed an interest in releasing it, so soon the world could delight in our squeaky adolescent voices and ramshackle non-musicianship. 
 
I suppose my most recent band is “64 Bit” which is trio with Kev Hopper on electric bass and Ian R Watson on trumpet, I play melodeon (button accordion) and electronics. We improvise too, which doesn’t suggest a lot of progress over 35 years. 


For good measure I also play in a group called The Mixed Porter Band, a load of squeezeboxers, fiddlers and percussionists doing traditional English tunes – we play in pubs and ceilidhs and that. It’s good fun, and beer is involved.
 
Q2: Julian Cope described you as ‘The Post Punk Peter Hammill.‘ Was that a compliment or an insult?
 
I thought it was very nice of him! He was talking about me as an 18 year old – so I guess he’s referring to the perhaps over-serious and intense young man I was then (come on, you remember!) 
 
Hammill’s never actually been an influence, even though I knew the song “Scorched Earth” from Fluff Freeman’s show in the mid ‘70s. Lately I’ve come to enjoy his music a bit more, but I still find his choirboy to snarling rocker voice a bit, well, daft. But compliment I reckon – came right out of the blue too…I haven’t listen to Julian’s music for decades, but his website is a real goldmine of interesting stuff.
 
Q3: Didn’t a breakfast TV show once invite you to go on and play with toys?
 

Yeah! Back in the Mid 90s when Ticklish were just starting, I used to play a big collection of toys, which I’d amplify and process. It was very John Cage and abstract. 

 
Anyway, some researcher on the Big Breakfast heard about us and booked us to appear with Chris Evans, and he clearly thought that we’d be doing funny tunes with quacking ducks or something. 
 
Almost as an afterthought he asked to hear a recording, and a motorbike courier was sent round to pick up a demo from my house. We never heard another thing! 
I just wish I’d been there to see their faces when they actually played the tape. We used to claim we were “banned from The Big Breakfast” after that- it made good copy.
 

Q4: You played the Berlin Jazz Festival. Did you take lots of heroin? And die?

 
Yes. And I don’t recommend it – the heroin and dying bit anyway, not big or clever. 
 
Actually, this was probably the acme of my avant garde career. It was another toy gig in a trio with Steve Beresford and Anna Homler – I’m not sure it was what the promoters wanted, but the audience seemed to like it. 
 
Most embarrassing bit was just before the gig I was told that Guy Klucevsek (easily the world’s greatest avant garde accordion virtuoso – admittedly a niche area, but still) was coming to watch me play accordion. I’d only been playing for about a year on a klunky little toy one knocking out a few hamfisted chords. Let’s just say he didn’t come backstage to congratulate me – I assume he felt his position was safe….
 
Q5: You’ve played with Simon Fisher -Turner who was famously handcuffed to Robert Mitchum during the making of Micheal Winner’s The Big Sleep. How did you meet him? What’s he like?
 
Simon auditioned me for a group to play backing Blixa Bargeld at a gig at Nick Cave’s Meltdown. He’d heard about the toy stuff (again! Is it any wonder the gigs have dried up now that I’ve dropped playing toys?) and he came to my house in Hither Green to chat to me – we sat in our garden in glorious sunshine for about an hour chatting about all kinds of music – he looked at the gear I used, and I got the gig without playing a note. 
 
Simon is charming and debonair and totally lovely. I didn’t know he was in “The Big Sleep” or that Michael Winner directed that version! You are an education, Braz.
 
Q6: When did you get involved in Morris Dancing? Does it damage the car?
 
Right – Three rules for talking to Morris Dancers-
1. Don’t imagine he hasn’t heard the “I’d try anything once except for incest and morris dancing” quote. (He has, many, many times)
2. Don’t say “it’s just like ‘The Wicker Man’ (it really isn’t – I’ve only met about three morris men out of hundreds who are actual “pagans” and none of those have sacrificed anyone, yet)
3. Don’t make clumsy puns with the car
 
I got involved about 5 years ago. That’s the easy bit, slightly harder is “why?”
 
I guess I’ve always been attracted to music and arts outside the mainstream, but these days “the avant garde” is mainstream – look at The Wire (the magazine…or the TV series come to that), or half the gigs at the Festival Hall. 
 
Meanwhile there are these lovely people playing music and dancing outside pubs- sometimes to blank incomprehension, piss-taking or even hostility – more often charming the birds off the trees. Keeping fit, getting your body to move slightly more gracefully, hanging around with interesting people (my side includes bankers, monastery gardeners, professional west-end musicians and the man who’s responsible for public safety if there’s ever a major nuclear incident) and drinking beer. Obviously I was going to have some of that. 
 
Five years later and 2 and half stone lighter, Its becoming clearer that it was one of the best decisions I ever made. My wife, Ruth, does it now too. The kids are doomed!
A good morris joke –
Q- Why was line-dancing invented
A- To give morris dancers something to take the piss out of
 
Q8: What is Scaledown ? Is it like a Scalextrix?
 
Scaledown is a monthly performance above The King and Queen pub in London (Where Dylan did his first UK performance interestingly) that I started with the musician Mark Braby. Six acts, each playing for 15 minutes, with 15 minute gaps for socialising between, using minimal gear. Free admission, donations to performers. That’s it. 
 
 
Basically I’d been putting on experimental gigs for over 10 years and I was heartily sick of it – having to deal with lousy and grumpy soundmen, people trying to get in for nowt, musicians expecting enormous fees etc etc all eliminated immediately. Of course it still became too much for me and I stopped being involved several years ago (having kids helped force that decision) but Mark’s still hanging in. 
 
Scaledown has scaled up a bit, it actually has two great soundmen and a pretty good PA, and has attracted some big names, Vic Godard even played there! I wouldn’t mind scaling down the concept even more, and actually dispensing with the PA altogether, but until I can find a venue I can walk home from, this is unlikely to happen soon. A scalextric would be nice – I’d probably try to find a way to make music with it.
 
Q9: You’re a Notherner who lives in East London. Do you eat jellied eels and love the Krays?
 
I live in SOUTH-East London actually, Braz, so we have none of that, being on the “wrong” side of the river.
 
I’ve been in London for over 25 years now, which I reckon qualifies me as a Londoner, and I still love the place – even though these days I rarely get out of Lewisham (I’m a “Stay-at-home Dad”) so I don’t get to see the iconic sights of London Town Centre- apart from at the top of Hilly Fields, but I feel at home in this neighbourhood. I think my accent’s slipped a bit mind, when I go up North friends imitate me as some kind of Michael Caine, even though my neighbours think I sound like Chris Rea. I have never eaten jellied eels – as Ogden Nash wrote “I like Eels, excepts meals, and the way they feels”…
 
Q10: Are you more Leslie Crowther, Aleister Crowley or Ice Cream For Crow?
 
Ha!
 
I always thought Leslie Crowther was a bit sinister to be honest, something about the eyebrows. More sinister than that old fraud Crowley, who was most accurately demolished by yourself when you described him as looking like “Benny Hill with a cushion on his head” – I’m a staunch rationalist and like my magic without a “K”. So I guess it’s “Ice Cream For Crow” even though I don’t like the album that much.
 
Can I have Doc Rowe, Teesside Docks and Doc At The Radar Station instead?


Bio:Richard Sanderson was born in 1960. He is originally from Middlesbrough in the North East of England, but has lived in London for over 25 years. After a background in punk and post-punk groups he shifted into experimental music. Playing electronics, toys and squeezebox, he has recorded and performed with many left-field musicians.


He was a director of London Musicians Collective for 10 years, and ran several clubs promoting experimental and improvised music such as “The Club Room”, “Baggage Reclaim“, “Western Civilisation” and “Scaledown”. In 2005 he joined Blackheath Morris Men as a dancer.


In July 2005, together with Neil Denny, Richard created the ‘rationalist’ radio show Little Atoms.


In 2009 he left the world of paid employment in the music business, and scaled down his other activities to look after his two young children. He has been married to Ruth for donkeys years.


His blog is BAGGAGE RECLAIM.


This is his DISCOGRAPHY

The Post Punk Peter Hammill – Richard Sanderson

Drop, Futurama, Halcyon Days, Joy Division, Julian Cope, Leeds, Life, Music, Paul D Brazill, Post Punk, Richard Sanderson, Robert Mitchum, Teeside, Television, The Fall, Ticklish, Toys

In his introduction to his  Postpunksampler 2, the legendary Julian Cope says tells this story:

‘In 1979, a smart, cool-looking guy called Richard Sanderson came backstage after a (Teardrop Explodes) Middlesborough show and gave me a bedroom recording of his quartet Drop. In his manner, style and quiet confidence, Richard was the Peter Hammill of Post-Punk; anguished, lean and nobly Norman. I loved every song on the tape and played it to Bill Drummond and Dave Balfe (of Zoo Records) , who rejected it outright for being too much like ‘The Teardrops and the Fall’.

So, who was the ‘Peter Hammill of Post-Punk’?

His bio says this: Richard Sanderson was born in 1960. He is originally from Middlesbrough in the North East of England, but has lived in London for 24 years.

After a background in punk and post-punk groups he shifted into experimental music. Playing electronics, toys and squeezebox, he has recorded and performed with many left-field musicians. He was a director of London Musicians Collective for 10 years, and ran several clubs promoting experimental and improvised music such as “The Club Room”, “Baggage Reclaim”, “Western Civilisation” and “Scaledown”.

In 2005 he joined Blackheath Morris Men as a dancer. In July 2005, together with Neil Denny, Richard created the ‘rationalist’ radio show Little Atoms.

In 2009 he left the world of paid employment in the music business, and scaled down his other activities to look after his two young children. He has been married to Ruth for 15 years.

And what of Richard’s legendary band Drop?

Richard says: ‘Drop coalesced out of my first punk band, The Silencers, and by the end of 1978, the steady line-up was-

Richard Sanderson – Vocals/Guitar Neil Jones- Keyboards Chris Oberon – Bass Andy Kiss – Drums

Listen to the music that Julian Cope raved about HERE

I’ve know Richard Sanderson for over thirty years. I first met him in a pub in Stockton when he was in DROP and I’ve been a friend and fan since then. I was even in a couple of bands with Richard- Halcyon Days and Oceans 11.

Richard has now also released an MP3 compilation of some of his songs from 1978 -2009. One of the songs is Oceans 11‘s ‘I Guess I’m Sentimental’ which was one of their better tunes. There’s also some other cracking stuff there including Drop’s French Windows which was covered by Julian Cope’s brother’s band. Click HERE for the track listing and download details at Richard’s blog BAGGAGE RECLAIM.

There’s more to The Weird & Not Very Frightening World Of Richard Sanderson than this but it’ll get you started.

Guest Blog: Bruce Grossman – Dr Who

Bookgasm, Bruce Grossman, Dr Who, GUEST BLOGS, Television

Now for those familiar with the site Bookgasm which I write for my inner geek comes through every once in a while. But since I write a column over there that is mainly in the crime/men’s adventure/pulp vein. I rarely get chance to truly geek out. My name is Bruce Grossman and I grew up a Dr Who geek. Now let me explain these were the days that PBS was the only place you could see the show. These were the times that finding any information about the show was hit and miss depending on the comic book store you would go to. Dr. Who was unlike Star Trek or Star Wars where every one at least knew of them. Even if they never saw the movies or shows they at least understood what you were talking about. But as a sixth grader in Rhode Island it was not what you would call a topic of your friends. I mean trying to explain Dr Who to people who have never watched it. Was about as easy as explaining colors to a blind person.

See Dr Who was truly the extreme of geekiness back then. But I lived my little geeky life keeping my love for this weird British sci if show to myself. Even when someone would bring it up they would just slam the awful effects. I would keep my love to myself. It was just not something I could truly express the joy the show gave me. Now yes the effects were lacking. But that is not what kept me entertained. No matter how many times my local PBS would repeat the same stories over and over. It was the writing of the stories. If you don’t believe me rent The Pyramid of Mars or The Talons of Weng Chiang. You just get sucked into these stories so fast that you forgive its short comings. Trust me there is a huge difference seeing these shows with child like eyes and now a person in his forties. What scared the crap out of me as a kid: giant rats, human eating clams, giant insects, and Daleks. I see them now as working on a budget like effects.

So with this new Dr Who series that started a few years ago. Kids not only get much cooler effects and monsters. There are some top notch stories to keep them coming back for more. Also there is a wider audience that has now embraced the show. I can’t wait to see how they are going to pull off the last two episodes of David Tennet’s run as the Doctor. Especially after watching Water Of Mars which featured ideas which were never broached in the old series. Being a Dr who fan is not the badge of geekness it once was. It’s more the feeling of finally getting our due for a series and character we loved so much. And for the record my five favorite stories:

1. Talons of Weng Chiang (Tom Baker)

2. Blink (David Tennet)

3. Pyramid of Mars (Tom Baker)

4. Inferno (John Pertwee)

5. Being Human/Family of Blood (David Tennet)

Bruce Grossman is a writer for a book review site called Bookgasm. Where he covers a variety of books in his weekly column Bullets, Broads, Blackmail & Bombs. http://www.bookgasm.com/tag/bullets-broads/ Sometimes his inner geek will appear but most of the time its his music geek side that is dominant.